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The developments that occurred as a result of the Industrial Revolution and during the British Empire hastened commerce and transformed Britain's social and cultural status quo. By the eighteenth century, there was already in London a vast number of retail shops that would inaugurate an urban world of commerce and consumerism. Magnificent and wide-ranging stores served householders with commodities that mesmerized consumers, giving way to new trends in the commercial and social fabric of London. Therefore, going shopping during the Victorian Age became mandatory for the well-off, especially for the emergent moneyed middle class. Harrods department store opened in 1864, adding new elements to the retail industry by providing a single space with various commodities. In 1909, Selfridges would transform the concept of urban commerce by imposing a more cosmopolitan outlook in the commercial arena. We shall draw attention to these two department stores, Harrods and Selfridges, analyzing how they were perceived when they first opened to the public and the effects they had on Victorian society. We shall then discuss how these department stores rendered space for social inclusion and exclusion and gender under the spell of the Victorian ethos, national conservatism, and imperialism and how they transformed social, cultural, and power dynamics. Lastly, this chapter provides insight into the social history of the late Victorian period and the early decades of the twentieth century.

In recent years, Portugal has witnessed the siting of 250 wind farms, particularly in mountainous and rural areas. Even though, unlike other European countries, general public consensus seemed at first to prevail, protests by local population and ENGOs have been increasing of late (many broadcast by the media) – the outcomes of Environmental Impact Assessments (EIAs) provide a good example. This chapter has two main objectives. On one hand, it examines how rural landscapes are discursively framed in the press when the Portuguese media picks up wind energy issues. On the other hand, by analysing EIA reports, it aims at identifying the social actors involved in the decision process of the siting of wind farms in rural or peri-urban areas, the arguments for and against the location of these facilities and how the (rural) landscape is framed and represented. The empirical material is drawn on three different sources: media analysis of the public discourse on landscape issues related to wind farms; an analysis of EIA reports regarding wind farms in Portugal and an analysis of official positions on this issue assessed through the Environmental Impact Declarations (EID) of EIA processes. It is concluded that despite the lack of media attention to landscape impacts’ of wind farms, the existing discursive frames are often attached to dichotomized cultural meanings: it either deems wind farms as technological tools for landscape progressive transformation or as a risk to its pristine image. As to the EIA reports, landscape matters are more visible and important and at times sufficient to reject approval or change of the siting of a wind farm.

Rural tourism agents and operators occupy a central role in the use and diffusion of certain social representations of rurality through the mobilization and utilization of specific (yet increasingly global) signs and symbols that, in the urban imaginary, characterize typical and traditional rural settings. Rural tourism promotional materials may contribute to the reconfiguration of the countryside more in accordance with an idealized rural than with the reality of local features. This chapter examines how rural areas and rurality are presented and commodified, using an exploratory content analysis of online and offline materials combined with a survey directed at rural tourism entrepreneurs in five municipalities of two different Italian regions – Campania and Tuscany. Evidence strongly suggests a discrepancy between the real and the portrayed rurality, pointing at the emergence or reinforcement of rural reconfiguration processes, shaped by external and often global images and imaginaries.